Ritual Guide

How to Do Villain Hitting: The Complete 8-Step Ritual

Published: October 23, 2026

Villain hitting looks simple — one sheet of paper, one old slipper — but the full ceremony is an eight-part sequence, every step locked to the next. This guide follows the traditional practice of the ritual grannies around Goose Neck Bridge, explaining what happens, with which props, and why. When you are done reading, you can run the whole thing yourself in our online villain-hitting ritual.

Step 1: Incense Offering

Every ceremony begins by lighting three incense sticks and candles, inviting the gods to witness what follows. There is no fixed deity at the bridge-side stalls: Guanyin is most common, but you will also find Guan Di, Wong Tai Sin, Tin Hau — even the Monkey King. The bridge sits next to an Earth God shrine, and the rite effectively borrows its incense fire. At the stalls, the granny lights the incense and asks you to plant it and bow three times. The point is not which god you address, but that heaven is watching.

Step 2: Declaration (Naming the Villain)

Next, the paperwork. Traditionally your own name and birth details go on a "hundred-solutions talisman" for protection, while the target is written on the villain paper — separate effigies exist for men and women. No specific target? Generic labels like "petty person" or "troublemaker" do the job.

Old custom allowed writing a real person's name — even pasting a photo. Modern practice and media guidance agree: better to stay generic and avoid fresh grudges. More on this in Does Villain Hitting Backfire?

Step 3: Villain Beating (The Climax)

Lay the effigy on a brick and beat it with a shoe until the paper shreds. The slap of sole on brick is the signature sound of Goose Neck Bridge. Tradition favours a shoe the client has actually worn — the villain is literally trampled under your own foot — though in practice the grannies do the hitting. One hard rule: a shoe that has beaten a villain can never be worn again; it must be thrown away. The beating follows the rhythm of the chants, working down the body part by part: the head (schemes), the hands (dirty tricks), the feet (escape routes).

Step 4: The White Tiger

Villain hitting descends from the White Tiger sacrifice at Jingzhe: the White Tiger is the fierce god of gossip and trouble. A yellow paper tiger — black stripes, bared fangs — is fed a chunk of raw pork dipped in pig's blood, or has pork fat smeared across its mouth, leaving it "too greasy to speak ill". Then the shredded villain paper is wrapped inside the paper tiger and burnt with it: a lamb into the tiger's mouth — fighting malice with malice.

Step 5: Dispelling (Scattering the Beans)

Sesame and mung beans (some schools use five-colour beans, rice or tea leaves) are scattered over the ashes and around the site. The meaning: dissolve calamity, scatter petty people to the four winds — "big troubles shrink to small ones, small ones scatter to nothing." It is the cooling-down step of the rite.

Step 6: Blessing (Inviting the Benefactors)

Villains out, benefactors in. A red nobleman paper is used to invite helpful people into the client's life — at the stalls, the granny pats it against your body and palms or waves it through the air, chanting blessings: "villains beaten, benefactors gathered; may helpers support you and fortune find your hands."

Step 7: Treasure Burning

Gold ingots and joss paper are burnt as offerings to the spirits — and as a little wealth luck for yourself. Every piece of paper in the ceremony, villain paper included, must burn to ash in the offering basin. Watching the effigy disappear in flames is the emotional peak: the villain's hold over you goes up in smoke. Villain paper must be burnt on the spot — never taken home.

Step 8: Block Casting (Moon Blocks)

The ceremony closes with a cast of two crescent-shaped moon blocks. Both flat sides up is a "laughing answer", both rounded sides up a "negative answer" — and one flat, one round is the sacred pair, meaning the gods approve and the ritual is complete. Some say three failed casts mean starting over. Note that fortune-stick drawing belongs to temples like Wong Tai Sin; it is not part of villain hitting — moon blocks are the traditional finale.

Rules & taboos at a glance

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